I recently had to make the difficult decision of putting my black lab “Sam” to sleep. I feel bad about it everyday because I had to do it. I had to because I could not keep up with the constant cleaning and bathing. Also he could not be left alone for more than an hour and a half. He was in pain and had to be lifted into our car and sometimes down our stairs into our condo, often under the influence of a drug cocktail. Regardless of all the extra work I tried, I really tried. I was hoping as everyone does that he would pass away in his sleep. But he was a fighter and he hung in there always wanting to go on the walks with me and my other dogs (even if he couldn’t make it all the way back). I did all this and lots more for the last year just to help him out, but I was stressed and tired all the time. Now with my grandson crawling around I felt I had to take him into the vet. My vet didn’t encourage me but said he understood & that 14 years for a rescue lab who had heart worm and multiple other problems was actually a pretty good run. I hated to see Sam looking like a different dog, one that I didn’t know. For the last couple of years he was looking depressed and more than anything I felt bad for him, he was the pack leader and always so much the proud dog who was (it seemed to me) part human. So you may have noticed a few more “All dogs go to heaven paintings” being posted and now you know why. The Photo above was taken in 2002 ( in his prime) he loved the snow, we often called him Nanook because he could not get too much snow.
The final finished painting is at the bottom of this post.
This is how the painting looks before I have glazed it. Take a look at the painting and you will be able to see how different a painting can look after glazes have been applied.
You may also see area or shapes of some things which haven’t been painted yet. Some direct painting or glazing with the same color will also need to be done to bring the values in line. Values are difficult to determine unless you can see how all the various colors and glazes effect each other. Often an artist should go back and take a look at anything that has been changed just to make sure that anything that needs tweeking gets tweeked. This means perhaps darkening an area previously thought to be OK.
Above you will see a section of the painting. Look at the light green leaf here in the middle, I will glaze over some burn’t senna and then some green and last some pink which should push the leaf back a bit and look like a shadow.
You can see this in the next photo below.
Under the bright orange leaf there is also an area which is not defined, look at this area and see how it will be redefined by direct painting & glazing. This photo above shows how I changed the shape of this area (under the large orange leaf).
Next look at the photo below… there was a very light shape which was only painted a light grey blue but was left mostly white. You can also see the blue leaf’s edges (in the corner) was given a blue and purple glaze .