All dogs go to heaven #43 11 by 13 inches Watercolor on handmade paper $80.00

This paper is a bit difficult to paint on using some of the standard techniques of resist or scrubbing.  Its beautiful paper with lots of character and very thick.   Once its wet it becomes blotter paper and can tear if not treated with a bit of respect.

I used some iridescent paint on this one.  This paint has a bit of a sparkle to it but usually it can be very discreet and only when light hits the paint a certain way does it reflect back.

All dogs go to heaven #17 farm days


A beautifully painted painting with my favorite buds…” Farm days” is just one of in my series “All dogs go to heaven”

This special painting is a watercolor on clayboard (ampersand), it has very slight or light texture and is a 5 by 7. It sells for only $50.00

I will spray it with a mat clear spray for protection and can be framed without glass. These small paintings make great gifts and are treasured by any dog lover.

“All dogs go to Heaven” # 8 Conte crayon on paper

This drawing is part of a series… These three dogs are always looking out to the horizon and I think they have many fine moments of just ” being dogs, and this is just one of them.

$50.00  plus $5.5  for postage and packaging.

11 by 14 inches……  for those that do not know what a conte crayon is… its very similar to a soft pastel stick.  You will need to frame this piece under glass.

Clayboard verses paper, a watercolorist’s dilemma.

People write to me often and ask me why I paint on surfaces other than paper. Some folks have always challenged my methods because they are not traditional in nature. The use of heavy pigment at times almost straight from the tube, the use of spray fixative and of course the use of non traditional painting surfaces. First, I would mention that this is nothing new, people have been painting on gessoed masonite for over 40 years. I’m sure canvas, wood and other supports have always been available to watercolorists and have been used as well. I started painting on other surfaces for several reasons. I’ve painted on paper for more than 20 years and feeling like i was missing something, wanted to branch out. I’ve always like experimentation & now that I’m confident of my painting skills, wanted to see what else is out there for the watercolorist. There is a lot of work in the area of water media, which is exciting and fresh and not limited by the traditional restrictions of watercolor on paper. Even our state (SC) watercolor society changed their name to watermedia society and this made me realize that things were changing. The South Carolina watercolor society has always been at the forefront of new artistic avenues and being a part of it was important to me. I also found that sales of my paintings on clay board, canvas or gessoed masonite were selling for a higher price than the works on paper. These surfaces are actually easier to paint on once you learn their limitations and yet give the artist many ways to express an idea. Without having to plan ahead, and the ability to correct mistakes easily it helps the artist be more in the moment. It also allows the artist (especially the new artist) a certain amount of freedom that watercolor on paper can only do after many years of experience. I still love watercolor on paper and probably always will. It not that one is better than another but they offer the artist variety and a challenge. Also… why is it that we watercolor  artists feel we must restrict ourselves for traditional methods. Some of these methods aren’t even traditional but have just recently ( within the last 40 years) become rules. For instance the forbidden use of white paint, Turner, Homer, & Sargent all used white paint. I love the look of white paper but don’t see anything wrong with using white if the painting calls for it.

Here are three examples of very similar paintings on three different surfaces. Fom a distance they look very much the same but up close they have a slight variation in texture.  The one on the right is traditional 140 lb paper. The one in the middle is gessoed masonite and the last is illustration
(#100 )board.
DSCF2189

DSCF2190 Gessoed masonite illustration board

watercolor paper