“INCOGNITO” An Original Watercolor on handmade paper (deckled edges) by Shanti Marie 11 by 14 inches $120.00 Plus $5.50 for S & H.

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Wild Acres workshop retreat October 1-3rd 2010

Sunrise from my room the first morning at the  2009 workshop.

Wild acres is a great place to be and to be there with a group of like minded artists is even better!

Plan to join us as The Charlotte Art league and Wild Acres joins up to provide you with a one of a kind experience.

Prominent NC Artist, Diana Arvanites and me, Shanti Marie  will be there to provide  instruction, tips,  & techniques  to create a piece of art that looks and feels like encaustic without the hot wax.

Are you a creative type who would like the opportunity to experiment with various mediums? If you are then give yourself a special gift this year and spend the weekend at Wild Acres with Prominent NC Artist, Diana Arvanites. She will assist you in a learning experience that will be both fun and relaxing. You will learn how to use various mediums to achieve a look of ancient encaustic without the use of Hot wax and blow torches. Feel free to allow yourself the time and in this environment the space to experiment with some new techniques that you can take back to your studio and incorporate into your own work. With experimentation and guidance you will you be able to create something unique and truly your own. This event is sponsored by the Charlotte Art league. And in cooperation with Wild Acres Mountain learning Center in Little Switzerland, North Carolina. Wild Acres is a true retreat undisturbed by traffic and the noises of the city. Located on Pompey’s Knob, near the Blue Ridge Parkway, it is situated on 1600 acres at an elevation of 3,300.00 feet. Inspiration exists behind every tree rock and sunset Acrylic wax? Yes, you can achieve encaustic wax effects with acrylics. It can be mixed up to look just like encaustic, creating beautiful transparent and translucent layers that simulate the qualities of wax. It is a viable alternative to the hazardous process involving solvents and heat. In this workshop you will learn how to create wax-like surfaces that resemble unrefined, yellow, and pourable bleached beeswax. All without the wax! Explore your style using collage and embedded images with acrylic gels and poring mediums.

These are two examples of the surface created using mediums.  You can also use paint, transfers, collage and many other techniques you already incorporate in your work.  Its endless really.  Your only limited by your imagination!

The price  for food lodging and instruction is $285.00 double occupancy or $50.00 extra for single or private rooms.   This is  from 3:00 pm Friday October 1st to Sunday at noon.

come joins us!!!  the class size is limited so email me asap if you want us to hold your place.    email :shantmarie@aol.com  we take pay pal and checks…

Painting surfaces for watercolor

The first example is 300 lb watercolor paper. You can see by the first and the second photo that this paper is rather thick. Most folks frame watercolor on paper under glass to protect the painting and the paper.

This example is watercolor on wood panel, the wood is painted in gesso and the finished painting is varnished or sprayed with a fixative.

Here the watercolor is applied to gessoed masonite ( ampersand and clay board are brand names) this looks a lot like the wood panel but the masonite is much thinner. Folks usually frame this type of painting without glass since they are varnished.

This example is a gallery wrap canvas, the sides are painted so that the painting does not need a frame.

These are just a few of the supports used for watercolor and I’ll post others as I complete the paintings.
Illustration board, rice paper, bristol, cloth, and many other supports are used but the most common is watercolor paper.

ACEO Moon boy

100_13211

This little 3 .5 by 2.5 card is painted in watercolor on paper. Its a collectable card and its only $15.00 plus 1.5 postage in USA.

I wish it was in focus, I will try to get a better photo tomorrow. These little paintings can be a great way to work on your design skills. They are so small you learn to fill the space without putting too many things in the painting. You think about shapes a bit more and it seems to help you if like me, you tend to put lots of stuff in every square inch of your canvas or paper.

Valentine Koi

koi

8 by 10 inch acrylic on canvas panel  $95.00

 

The Daily painter’s group is doing a valentine theme this week so I thought I would put up a Koi valentine, something I have thought of many times   but didn’t do because it is a bit too much to fit into a regular composition.  Since I was under a deadline, I had to put this painting up quickly, but now I’ll go back and put in a bit more value on the underside.

lilly pad 8

lillypad-8

This Watercolor is 4 by 4, (inches ) A watercolor on gessoboard & is for sale for $30.00 Plus S& H.
I painted this in the deductive manner. That means: I painted it and before it dried I used a wet brush to pulled out the objects from the still damp paint. Then, I allowed it to dry and later filled in the objects with another light glaze of paint. In this case the lighter color of yellow green.