I have been in a bit of a quandary lately over what to paint next, no not these little paintings, but bigger paintings 1/2 sheets to full size sheets or bigger.
I just finished a series. I decided I wanted to start another series or so I thought. The problem is: I cannot for the life of me get the fourth painting started. I also have been reworking the second in the series even while others tell me to leave it alone, its great. This tells me maybe I really don’t want to make it into a series. Then again…I have to admit I struggle thru this foggy quagmire of first attempts every time I start a series. It only seems after I’ve painted four or five paintings that I have a sense of what it is that I’m trying to say. It almost like I have to take the idea of a painting from a concept into a breathing living thing. Right now I feel like these paintings need CPR and I can’t remember how to administer mouth to mouth. Until then Until I can breath life into these paintings its just paint, paper and brushes.
As you become a better painter with more skills and techniques, you start to search for your style, you crave uniqueness. Why do painters constantly advocate breaking from the traditional school of thought? Is it the case of attempting to create paintings that will owe nothing to any other piece of work or artist–something unique and original in the world of art?” It’s a wonderful philosophy, but unfortunately an unrealistic delusion, simply because no one has ever been able to demonstrate a work of art that is entirely different. Every painting I ever gazed upon, including those in any gallery and those of the great masters all echo some previous painter’s accomplishments. Painters are by nature trying to achieve something new by using parts of something old. Every work of art, consciously or unconsciously has been subjected to traditional values in one form or another. The truth is that there is nothing original and if it appears as original there are most likely some less known artist doing the same thing but not getting any credit for it.
There may be new mediums, new colors or pigments but the basic way we take paint and create has not changed.
$800.00
